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') under heavy manners blog back issues links fb fresh fish nietzsche versus nurture no war but class war was it better when it was worse? la vitesse du son de la solitude obscurantisme terroriste nietzsche versus nurture abul mogard/acolytes/bad tracking/kali malone/mark fell/steven legget/tribe of colin ‘the harms being caused by the war on drugs can no longer be ignored. it is time to leave behind harmful politics, ideology and prejudice. it is time to prioritise the health and welfare of the affected populations, their families and communities” – support don’t punish http://supportdontpunish.org much like the war on terror, or any war, for that matter, the war on drugs is essentially class war. in a society that profits from your self-doubt, liking yourself is a revolutionary act. shaped by conditioning, wounded by trauma, marginalised by anxiety, defined by deviancy, the need to escape consequentiality hampered by the external stigma that informs internal stigma. the political implications of operation escape-from-self have ramifications that tear families and communities asunder. with drug deaths rising and drug treatment budgets falling, the implicit correlation between capitalist surrealism and the death of self-love has never been more explicit. https://drgabormate.com “global society is drowning in addiction to drug use and a thousand other habits. this is because people around the world, rich and poor alike, are being torn from the close ties to family, culture, and traditional spirituality that constituted the normal fabric of life in pre-modern times. this kind of global society subjects people to unrelenting pressures towards individualism and competition, dislocating them from social life” – bruce k alexander http://www.brucekalexander.com in terms of solution-focussed approaches, the twin pillars of maté (boaz) and alexander (jachin) guide us towards the salvation of shalom. this duality is at the beating heart of the recoverist dichotomy. only when we frame our collective demise as the consequence of unenlightened thoughts can we embark on the pathway of education, agitation and organisation necessary to reclaim the self through emancipation. our antecedents here are hidden in plain sight, amongst the rubble of neoliberal capitalist surrealism: the ghosts of the chartists , the suffragettes , the fabians , the tolpuddle martyrs , the spirits of emancipatory freedom from the symbolic violence of abstract systems. the concept of nietzsche versus nurture can thus be seen as a truly holistic exploration of the nihilistic drivers informing the deviant behaviour perspective of the ruling elite; a philosophical deconstruction of the kantian right versus the benthamite left. in the common ground between the abcdwp-driven recovery agenda of government policy and the traditional liberalism of the harm reductionist left, lie the fertile pastures of possibility through purpose: an aristotlian flourishing, eudaimonia , achieved through re-identity, a process of shared learning shaped to redefine self as a revolutionary act of emancipation. the process of pain management through self-medication suppresses our dreams, as well as our sense of self. addictive substances affect our ability to achieve rem sleep. by losing consciousness instead of sleeping soundly, we wilfully aid and abet the forces of oppression by building our own prisons, acting as our own jailor. the crime of allowing our pain to steal our dreams is intrinsically self-harm. https://www.psychologytoday.com/gb/blog/dream-catcher/201112/psychopharmacology-rem-sleep-and-dreams “to be, or not to be? that is the question. whether ’tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and, by opposing, end them? to die, to sleep – no more – and by a sleep to say we end the heartache and the thousand natural shocks that flesh is heir to – ’tis a consummation devoutly to be wished! to die, to sleep. to sleep, perchance to dream – ay, there’s the rub, for in that sleep of death what dreams may come when we have shuffled off this mortal coil, must give us pause. there’s the respect that makes calamity of so long life” – william shakespeare , ‘hamlet’ (act 3, scene 1) as nietzsche himself observed, life without music would be a mistake, and this month’s selection have been instrumental in shaping my personal response to those slings and arrows of outrageous fortune. we begin, then, with ‘above all dreams’ (ecstatic), abul mogard ’s expansive follow-up to 2015’s ‘circular forms’ (ecstatic). to this day, mogard’s true identity remains shrouded in mystery. the party line of sexagenarian serbian sheet metal worker recreating the sounds of the factory through modular synthesis may be prosaic, but according to my serbian contacts, the name itself is distinctly un-serbian. theories abound as to exactly who is moonlighting here, but it doesn’t really matter that much. whatever the absolute truth, the relative truth is that ‘above all dreams’ evolves in front of our ears, seamlessly, from where ‘circular forms’ closed, three years earlier. for those of us who joined the party late with ‘works’ (ecstatic), 2016’s collation of mogard’s vco output from 2012-2013, ‘above all dreams’ may appear somewhat slight when disconnected from ‘circular forms’. it is imperative that mogard’s development be heard as the progression that it undoubtedly is, instead of some kind of gradual osmosis into the ambient wallpaper of magnolia world. those of you yearning for the harsher elements of ‘works’ need to overcome those expectations before embracing the hauntological mindfulness of ‘above all dreams’. this is a domain of spiritual sanctity, achieved through artful composition, an emotional ephemera of love and light in six movements. between the drones we discover salvation in oscillation. on ‘where not even’ and ‘the roof falls’ in particular, we hear nods to sarah davachi ‘s ‘let night come on bells end the day’ (recital) and the ghosts of panoramic ’70s progression. abul mogard has staked his claim to greatness, and with both ‘circular forms’ and ‘works’ already hailed as classics, it can be confidently assumed that ‘above all dreams’ will ascend its forebears to assume hierarchical precedence in the mogard cannon. https://abulmogard.bandcamp.com/album/above-all-dreams described elsewhere as the ‘best record alter have ever put out’, acolytes consciousness-altering ‘rupture’ (alter) is computer music with a lo-fi aesthetic. moody, visceral and relentless in its approach, ‘rupture’ pixilates the angst of symbolic violence in byte-sized chunks. dysfunctional rhythms contradict the topography of their sound-beds in a jarring juxtaposition that struggles to impose much sense of form on first listen. repeated exposure gradually pulls shape from the miasma to reveal the man called d. shan’s modus operandi. slimmed down from the group-based set-up that delivered acolytes s/t debut back in 2015, ‘rupture’ is an altogether more enduring work. echoes of gábor lázár ‘s acidic tekno shade the palette. dub sensibilities elongate the space between tones. tribal beats and samples litter the terrain. ‘mxe666′ squelches from the speakers, dancing above the melee like a sprite atop the flames of a ritual campfire. this autocannibalistic approach to sound-craft is utterly mesmeric. the esoteric vibe of ‘rupture’ is something we will be returning to below with tribe of colin . ‘night air’ draws proceedings to a close in enigmatic fashion: a swirl of backwards scratches herald what sounds like a bastardised melodica refrain, introducing a vaguely ‘east of of the river nile’ vibe that somehow retro-informs all that has come before it to leave us with a real sense of culmination. ‘rupture’ is a masterful accomplishment, a dark art from a dark heart in a dark world. is this the best record alter have ever put out? find out for yourself here: https://acolytesalter.bandcamp.

URL analysis for trakmarx.com

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Whois Information

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Whois Server Version 2.0

Domain names in the .com and .net domains can now be registered
with many different competing registrars. Go to http://www.internic.net
for detailed information.

Domain Name: TRAKMARX.COM
Registrar: TUCOWS DOMAINS INC.
Sponsoring Registrar IANA ID: 69
Whois Server: whois.tucows.com
Referral URL: http://www.tucowsdomains.com
Name Server: NS1.NS-PANDORA.COM
Name Server: NS2.NS-PANDORA.COM
Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Status: clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited
Updated Date: 01-mar-2017
Creation Date: 07-mar-2001
Expiration Date: 07-mar-2018

>>> Last update of whois database: Sun, 09 Jul 2017 18:58:57 GMT <<<

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  REGISTRAR TUCOWS DOMAINS INC.

  REFERRER http://www.tucowsdomains.com

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =trakmarx.com

  PORT 43

  SERVER whois.tucows.com

  ARGS trakmarx.com

  PORT 43

  TYPE domain

DOMAIN

  NAME trakmarx.com

NSERVER

  NS1.NS-PANDORA.COM 212.53.87.33

  NS2.NS-PANDORA.COM 212.53.87.34

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited
clientUpdateProhibited https://icann.org/epp#clientUpdateProhibited

  CHANGED 2017-03-01

  CREATED 2001-03-07

  EXPIRES 2018-03-07

  REGISTERED yes

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